The plot unfolds as two people (readers' choice in whether they are in love or not, though they share a close bond in any case) enjoy the beauty of an Eden type world. The main female character convinces the narrator to promise never to look away from her; however, the narrator (readers' choice in gender) breaks that promise almost immediately once they hear shouting. They swing their head around (slight allusion to the tale of Orpheus and Eurydice) to see a hellish type world (I chose, instead of sticking to the usual stereotype of fire, to recreate the world of early humans before fire, in which I display tribal wars and stealing as prominent sins). The narrator now realizes that the main female character has been hiding this secondary world from them and decides to attempt to save it (slight allusion to Prometheus). The main female character cries for their farewells and the narrator decides to return when they believe "Petals eclipse bloodshed in importance."

The repeated usage of 's' symbolizes the sin taking place in the world. Both the Eden and the Hell cover a large deal of the 's' alliteration. Thus, as the main female lead holds responsibility for both, she falls under the category of "sinful." However, the narrator employs more consonance in their actions; the narrator "swears with crossed pinkies to rest [their] focus solely on her." They also commit the crime of breaking their promise, thus the narrator also falls under the category of sinful. Yet, the category divides them in their moral alignments. The main female character commits a public evil by hiding the suffering in the world; the narrator commits a personal evil of breaking their promise. The methods in usage of 's' represent such alignments: alliteration begins each word while consonance hides within.